Corneille Lithograph, Tribu II 171/ 200, 1992

Guillaume Cornelis van Beverloo (1922-2010)

Litho in colour

Tribu II

171/ 200, signed in pencil and dated 1992

Framed behind glass

Litho itself measures 61 cm x 50 cm and total framed 91 cm x 81 cm

Corneille was born as Guillaume Cornelis van Beverloo on 3 July 1922 in Liège (Belgium). He had Dutch parents. He was active as a painter and poet. In 1937 he took advertising drawing lessons in Haarlem and from 1940-1943 attended the drawing course at the Rijksacademie in Amsterdam, where he met Karel Appel (1921-2006). Corneille was self-taught as a painter Corneille developed, before Cobra, in 1947, his mythical figuration inspired by children’s drawings with exuberantly cheerful and brightly colored forms during a stay in Budapest. There he discovered the work of Paul Klee (1879-1940), Joan Miró (1893-1983) and the writings of the surrealist poets and met the painter Jacques Doucet (1924-1994). Under the influence of these impressions, Corneille began to work from his imagination and to paint myths. In 1948 Corneille founded the Experimental Group in Holland with Appel and Constant and were co-founders of Cobra Corneille his work has been included in many collections and has been exhibited all over the world.

Reference # M528

Corneille Lithograph, Tribu IV, 171/ 200, 1992

Guillaume Cornelis van Beverloo (1922-2010)

Litho in colour

Tribu IV

171/ 200, signed in pencil and dated 1992

Framed behind glass

Litho itself measures 61 cm x 50 cm and total framed 91 cm x 82 cm

Corneille was born as Guillaume Cornelis van Beverloo on 3 July 1922 in Liège (Belgium). He had Dutch parents. He was active as a painter and poet. In 1937 he took advertising drawing lessons in Haarlem and from 1940-1943 attended the drawing course at the Rijksacademie in Amsterdam, where he met Karel Appel (1921-2006). Corneille was self-taught as a painter Corneille developed, before Cobra, in 1947, his mythical figuration inspired by children’s drawings with exuberantly cheerful and brightly colored forms during a stay in Budapest. There he discovered the work of Paul Klee (1879-1940), Joan Miró (1893-1983) and the writings of the surrealist poets and met the painter Jacques Doucet (1924-1994). Under the influence of these impressions, Corneille began to work from his imagination and to paint myths. In 1948 Corneille founded the Experimental Group in Holland with Appel and Constant and were co-founders of Cobra Corneille his work has been included in many collections and has been exhibited all over the world.

Reference # M529

Corneille Lithograph, L'Ange descendu des astres II 61/200, 1992

Guillaume Cornelis van Beverloo (1922-2010) Litho in colour

L'Ange descendu des astres II

61/200, signed in pencil and dated 1992

Framed behind glass

Litho itself measures 61 cm x 50 cm and total framed 92 cm x 82 cm

Corneille was born as Guillaume Cornelis van Beverloo on 3 July 1922 in Liège (Belgium). He had Dutch parents. He was active as a painter and poet. In 1937 he took advertising drawing lessons in Haarlem and from 1940-1943 attended the drawing course at the Rijksacademie in Amsterdam, where he met Karel Appel (1921-2006). Corneille was self-taught as a painter Corneille developed, before Cobra, in 1947, his mythical figuration inspired by children’s drawings with exuberantly cheerful and brightly colored forms during a stay in Budapest. There he discovered the work of Paul Klee (1879-1940), Joan Miró (1893-1983) and the writings of the surrealist poets and met the painter Jacques Doucet (1924-1994). Under the influence of these impressions, Corneille began to work from his imagination and to paint myths. In 1948 Corneille founded the Experimental Group in Holland with Appel and Constant and were co-founders of Cobra Corneille his work has been included in many collections and has been exhibited all over the world.

Reference # M527

Contemporary Art, Fuel pomp and Volkswagen (VW) door by Araun Gordijn (1947)

Fuel pomp connected to a VW door

2 pieces

Made of wood, plastic and glass

Made by Araun Gordijn born in 1947 Amsterdam

Studied at The Gerrit Rietveld Academy , Netherlands

His travelled al lot in the USA and he became inspirit about the 40, 50 and 60'S Roadside architecture, 20th Century

Reference # M060

A Dutch 19th Century oil painting on panel

A Dutch school ( Hollandsche School) painting, oil on an oak panel with a scene of a river landscape with windmills, a cityscape in the distance. A number of people in a boat and people talking on the side. A crossing by boat to the other side. Varnish layer is visible (yellowed) and the paint shows craquelure. The painting is not signed. 

The measurement of the panel is 25.5 cm high and 35 cm wide. Framed is the size 43 cm high and 52 cm wide. The total weight is approx. 3 kilos

Reference # M1448

David Kleyne (1753- 1805) Dutch painter, oil painting seascape with ships

David Kleyne (1753- 1805), Dutch painter, draftsman, pen artist, etcher.

A beautiful romantic painting by David Kleyne (Kleijne) with a seascape with ships on calm water. Oil painting on panel. Signature lower middle of the painting. The measurement of the painting is 38.5 cm wide and 28.5 cm high. Measurement framed is 32 cm high, 42.3 cm wide and the depth is 3 cm. The weight is 808 grams.

David Kleine b. Bergen op Zoom 1754, deceased. Middelburg 11 July 1805.

Painted and drew sea and river views with very finely finished ships and rigging. Some etchings by him are also known.

Netherlands Historical Maritime Museum Amsterdam: six small marines and a drawing in O.I. ink. Maritime Museum Prins Hendrik Rotterdam: the entry of a war frigate (drawing in O.I. ink dated 1787).

everzeel; shin; Thieme Becker; VanHall II; Waller; Wurzbach.

( Text Pieter A. Scheen, Lexicon Dutch Visual Artists 1750-1950)

Reference # M1457

Andrew Moore "Simon's Schoolhouse Museum, Pennington County, South Dakota, 2014"

Photograph by Andrew Moore 

Titled "Simon's Schoolhouse Museum, Pennington County, South Dakota, 2014"

Framed behind glass both sides

Signed in 2015 by Andrew Moore and Titled on reverse

ED 9/20 

The Measurements of the whole photo is 39 cm x 49, and the picture is 34,5 cm x 46 cm

The depth is 3 cm

The weight is approx. 2300 gram

Andrew Lambdin Moore (26 March 1957, Old Greenwich, CT) is an American photographer and filmmaker known for large format color photographs of Detroit, Cuba, Russia, the American High Plains, and New York’s Times Square theaters. Moore’s photographs employ the formal vocabularies of architectural and landscape photography

Reference # M665

18th Century Grisaille paintings of Allegory of 2 seasons with Putti

The 2 paintings with Marouflé technique painted in oak wood frame. The right painting with a Putti milking a cow and 4 Putti pulling a rope on a cow. This painting shows some craquelé. The painting on the right shows 4 Putti who are harvesting the grain. This frame is somewhat fragile and has a different pattern in the oak. The paintings are both signed with a monogram of G.K.

A grisaille painting, is a painting in which one does not apply natural colors but is limited to the some colors, usually gray or brown to create a marble look. 18th Century European paintings

The sizes of the paintings are 78 cm high, 89,5 cm wide and 3 cm (2,5 cm) deep.

The weight of the left one is 6 kilos and the right one 4 kilos.

Total weight is 10 kilos

Reference # M1136

Andrew Moore "Olds in the Sheep Barn, Sioux County, Nebraska, 2014"

Photograph by Andrew Moore 

Titled "Olds in the Sheep Barn, Sioux County, Nebraska, 2014"

Framed behind glass both sides

Signed in 2015 by Andrew Moore and Titled on reverse

ED 9/20

Unpublished photograph

The Measurements of the whole photo is 39 cm x 49, and the picture is 27 cm x 45 cm

The depth is 3 cm

The weight is approx. 2400 gram

Andrew Lambdin Moore (26 March 1957, Old Greenwich, CT) is an American photographer and filmmaker known for large format color photographs of Detroit, Cuba, Russia, the American High Plains, and New York’s Times Square theaters. Moore’s photographs employ the formal vocabularies of architectural and landscape photography

Reference # M664

Kancho "Kantcho" Georgiev Kanev, Titled and signed Mixed media 1993

Born 18 October 1957, Obretenik, Bulgaria.

Since 1991 he lives in The Haque.

The Netherlands On paper that Kantcho Kanev manufactured at 1993 

The work has a wonderful mix of mixed techniques with a sketch-like figuration. This piece of Art is made by the artist on thick cardboard paper and then processed on a panel and framed in a subtly matching silver and red colored frame.

Kukzy "Houy" 2/5 CM Tesch. , signed and stamped "93

Text on paper at the back side:

He was graduated `plastic Art in Rousse Now working in the sphere of art-painting and graphics.

Since 1961, he lives and works in Rousse His paintings are possession of Bulgarian and foreign galleries or private collections, in countries like: Poland, Hungaria, Austria, Netherlands, Germany, France, Italy, USA. He has taken participations in many international plenners in Bulgaria and in abroad.

Left upper corner at the back side, the title written and signed and stamped

Paper measurement is 25 cm x 22 cm

The frame measurement is 35 cm x 41 cm

Reference #M185

Clemens Briels, 'Hasta Llegar a la ermita, no me digas que me quiere' 2001

Clemens Briels (1946- )

Acrylic and collage on canvas, signed and dated 2001,

Measurements are 125 cm x 100 cm x 6 cm

Weight is 9 Kilos

Biography

Clemens Briels, born in a large family in Son, wanted to become an artist from an early age. 

In 1965 he starts training at the Academy of Industrial Design in Eindhoven with the aim of becoming an artist. 

Due to all kinds of circumstances, he ends up in the advertising world. He turns it into a successful art director, but at the age of 45 he decides to definitely opt for artistry. 

There is always a story behind the artworks of Clemens Briels, his artworks are small anecdotes from an opposing society.

Reference #M452

Clemens Briels, ' 'De San Antonio a Maisi, cantando voy por ahi' 2001

Clemens Briels (1946- )

Acrylic and collage on canvas, signed and dated 2001, 

Measurements are 100 cm x 110 cm x 5,5 cm

Weight is 8 Kilos

Biography

Clemens Briels, born in a large family in Son, wanted to become an artist from an early age. 

In 1965 he starts training at the Academy of Industrial Design in Eindhoven with the aim of becoming an artist. 

Due to all kinds of circumstances, he ends up in the advertising world. He turns it into a successful art director, but at the age of 45 he decides to definitely opt for artistry. 

There is always a story behind the artworks of Clemens Briels, his artworks are small anecdotes from an opposing society.

Reference #M453

Clemens Briels, ''Yellow Beard of Vegas'' 2000, 31/50

Clemens Briels (1946-)

Title: ''Yellow Beard of Vegas'' 

Signed, dated and numbered 2000, 31/50

The work is acrylic on resin wall Art

Measurements are 49 cm x 48,5 cm x 7 cm

Weight is approx. 4 kilos

Biography

Clemens Briels, born in a large family in Son, wanted to become an artist from an early age. 

In 1965 he starts training at the Academy of Industrial Design in Eindhoven with the aim of becoming an artist. 

Due to all kinds of circumstances, he ends up in the advertising world. He turns it into a successful art director, but at the age of 45 he decides to definitely opt for artistry. 

There is always a story behind the artworks of Clemens Briels, his artworks are small anecdotes from an opposing society.

Reference #M477

Clemens Briels, ''Catch of the day'' 2000, 16/50

Clemens Briels (1946-)

Title: ''Catch of the day'' 

Signed, dated and numbered 2000, 16/50

The work is acrylic on resin wall Art

Measurements are 48 cm x 48 cm x 6 cm

The weight is approx.  2,5 kilos

Biography

Clemens Briels, born in a large family in Son, wanted to become an artist from an early age. 

In 1965 he starts training at the Academy of Industrial Design in Eindhoven with the aim of becoming an artist. 

Due to all kinds of circumstances, he ends up in the advertising world. He turns it into a successful art director, but at the age of 45 he decides to definitely opt for artistry. 

There is always a story behind the artworks of Clemens Briels, his artworks are small anecdotes from an opposing society.

Reference #M478

Clemens Briels, ''Beauty and the Bird'' 2000, 16/50

Clemens Briels, ''Beauty and the Bird'' 2000, 16/50

Clemens Briels (1946-)

Title: 'Beauty and the Bird'

Signed, dated and numbered 2000, 16/50

The work is acrylic on resin wall Art

Measurements are 47,5 cm x 48 cm x 6,5 cm

The weight is approx. 2 kilos

Biography

Clemens Briels, born in a large family in Son, wanted to become an artist from an early age. 

In 1965 he starts training at the Academy of Industrial Design in Eindhoven with the aim of becoming an artist. 

Due to all kinds of circumstances, he ends up in the advertising world. He turns it into a successful art director, but at the age of 45 he decides to definitely opt for artistry. 

There is always a story behind the artworks of Clemens Briels, his artworks are small anecdotes from an opposing society.

Reference #M479

"Classic Love" wool tapestry, exclusive for f-galerie, 2007 , # 15/10,000

Attributed to Robert Indiana born 1928 in New Castle. Modern Pop Art Love Rug, published by John Gilbert.

Exclusive edition for galerie-f, Kranenburg. Germany, 2007 # 15 / 10,000

With label attached verso.

Marked with printed signature, description and edition number in pen.

A two-ply yarn, spun at 2.5 turns 100 % Indian wool.

Made in India, Holy Indian City of Varanasi

The measurement is 79,24 cm x 79,24 cm

Reference #M524

Mogens Balle, (1921- 1988) Copenhagen, Denmark

A composition by Morgens Balle with figures

Oil on canvas applied in a thick layer

Signed lower left (Balle M) and reverse

Framed

67 wide and 54 cm high

Details in the pictures

Mogens Balle was born as Mogens Erik Schack Balle in Copenhagen in 1921. He was active as a painter and writer. First he learned for to be an architect, but he discontinued this course because he wanted to engage with visual arts. His first works are naturalistic. From 1945, this changed when he switched to abstract painting. Common motifs in his oeuvre are mythical and fantasy creatures. A year later, in 1946, he traveled to Paris and it is here where he came into contact with artists who similarly worked in an expressive and spontaneous way. Balle was co-founder of the Danish artist union Spirals (1947). Asger Jorn (1914-1973 is the reason why Balle came in contact with the members of the CoBrA movement in 1949. Balle his work was, along with that of Karel Appel (1921-2006), Corneille (1922-2010), Asger Jorn and Egill Jacobsen (1910-1998), exhibited in Paris, but not during the CoBrA exhibitions in Amsterdam (1949) and Liege (1951). After the disintegration of the CoBrA group, the works of Balle became more spontaneous and abstract. From the 50’s he created several peinture-mots (word paintings). He did this with former CoBrA member Christian Dotremont (1922-1979). Peinture-mots, words and pictures are merged together as one whole in a single work. From the 60’s Balle began to make bronze fantasy figures.

Reference #M533

Desso Tapestry, Portrait de femme au chapeau à pompons et au corsage imprimé

A carpet/rug after the painting Portrait de femme au chapeau à pompons et au corsage

imprimé from the original painting from Picasso, 1962

Limited edition AA 095/500

Numbered an certified by Succession, Picasso, France

Desso Art Collection Carpets and rugs, wool tapestry 1996

Made in Holland

Wools of New Zealand.

The measurement 90 cm x 120 cm

Reference #M425